Jared Anderson: Review

Where To Begin

© Kevan Breitinger

Nov 16, 2006
Jared Anderson, Where to Begin
Just because you know he's one third of modern worship's Desperation Band, don't think you know what to expect from Jared Anderson's solo debut, "Where to Begin."

This Integrity release is not straight-up worship (in the popular sense), but it’s more than just another pop offering. “Where to Begin” shows a high level of sophistication while retaining a strong accessibility. Anderson studied composition in college and it pays off nicely on these ten tracks of punchy artful music, some more than others.

The first radio single “Running Away” opens the project with popping percussion and tasty electric noodling beneath Anderson’s straightforward vocals. It’s followed by the rootsy “Blind Man,” which showcases a lot more of Anderson’s subtle powers. I love the contrasts of its opening, the muscular guitars and his airy vocals, the slightest hint of subterranean funk behind the punchy drums. The jazz-tinged piano of “Lost in Heaven” perfectly illustrates the song’s subject, our spiritual mindlessness. This strong track is one of several that contains insightful lyrics, capable of providing major correction or wisdom if anyone cares to listen. The passionate “Hear Us From Heaven” reveals Anderson’s authenticity and desperation for the connection he knows we need. Shades of the Desperation Band, which is not at all a bad thing. Actually, the CD does contain a few of DB’s more popular songs, “Rescue” and “Amazed,” although under producer Pete Kipley’s tender touch both tracks come off even better than the originals.

Anderson does a lot with a little on the brief chorus that is “I’m Coming Your Way,” an airy atmospheric track that slowly amps up the energy level to a rousing crescendo of fervor. And to balance that track’s “prettiness,” there is the pleasant masculinity of the Eagles-like “Every Time,” a buoyantly vertical love song. I also enjoyed Anderson’s decision to buck tradition and go out on an upbeat note with the snappy pop track “Brighter.” Catchy and melodic, this song closes the album out on a note of strength, a wise move on the part of this gifted singer/songwriter. I read in his promo material that Jared Anderson wasn’t sure he wanted to take on the new role of artist rather than worship leader, but it is clear that he has been equipped, maybe even for such a time as this.


The copyright of the article Jared Anderson: Review in Christian Music is owned by Kevan Breitinger. Permission to republish Jared Anderson: Review in print or online must be granted by the author in writing.




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