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If you like your music thoughtfully crafted and eloquent, with a heaping side of whimsy, you'll fall hard for Jonah Werner and his fifth indie album, "Better Things."
There is much to enjoy on “Better Things,” quickly apparent from the first spacey notes of opener, “Sweet Relief.” Jonah Werner’s earthy vocals play nicely against the track’s stream of consciousness lyrics, and it’s more of the same in the following title track. Werner’s quirky lyrics provoke consideration, drawing eloquent images that prick your mind and spirit in a series of quick, positive jabs. Paired with the upbeat energy of his bright folk rock sound, “Better Things” is infused with an indirect but undeniable optimism. Simply put, it will make you think, groove, and feel good. “Better Things” features many of Nashville’s finest, immediately recognizable by the distinctive excellence of their contributions: Mitch Dane’s hand is strong in both production and keyboard duties, Andrew Osenga’s electric presence shines, Ben Shives on piano jumps off the CD, and anytime Bailey Britt’s background vocals make an appearance, the track is greatly illuminated. Osenga’s electric guitar noodling under Werner’s descriptive lyrics on pop-rocker “Falling Star” adds richly to the mix, and the swirling programming touches and pulsating guitar riffs of “Needle on the Radio” beautifully illustrate the song’s portrayal of the searching heart. The same is true of the fresh delivery of “Tomorrow,” its honest intimacy expressed poignantly in Werner’s languid vocals strewn across a bed of percolating rhythms. He is a master of juxtaposition and contrast. “All We Want” is an intelligent and compassionate look at the inner yearnings that drive our search for love; its bright pop sound belies the heavy truths of the lyrics. That same warm passion and deep desire shows up powerfully on the richly arranged “Miracle,” and the splashy “Meant to Be Free,” a bright song of desperate hope. But my favorite track is the masterful “Icicles,” a gentle song that also rings with hopefulness, as well as some stellar sonic touches: David Henry’s delicate cello and oh, that Bailey Britt! The adroit imagery on this lovely piano ballad is Werner doing what he does best. There is a hard-working band of musicians and merry men (and women) in the community today who are investing their hearts and lives into raising the bar, musically speaking, and spiritually too, for that matter. Jonah Werner is certainly one of them. “Better Things” is a sure bet.
The copyright of the article Jonah Werner: Better Things in Christian Music is owned by Kevan Breitinger. Permission to republish Jonah Werner: Better Things in print or online must be granted by the author in writing.
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