When producer Craig Mason first conceived of "Life is Precious," the Wes King tribute, he probably never dreamed the project would be successful on this many levels.
“Life is Precious” is a tribute in the best sense of the word. When popular artist Wes King went through a brutal season of treatments for a deadly lymphoma, he was left with little strength and massive medical bills. Mason organized this compilation of 27 King songs, performed by 26 artists who gave of their time and talents to support Wes, his wife and their three kids, making this project successful simply for the love expressed. But “Life is Precious” triumphs beyond that significant act. Initially, a number of prominent artists were to participate, but label and management complications cut those plans, and Mason was forced into another direction, one that had much to do with this album’s rich diversity and fresh appeal.
The music of Wes King was always appreciated for its focus on faith, presented simply and in a straightforward manner. King is not an experimenter, musically. However, “Life is Precious” has a strong indie flavor. Many of the participating artists will be unfamiliar to many listeners, but they have breathed fresh life into these creative, expressive arrangements. The production is superb on both discs, and King’s songs come alive in every case. We’re talking about twenty-seven songs here; it must be the love!
Space does not allow a track-by-track rundown, but I will mention a few of the many standouts. On Disc One, Addison Road contributes a cover of “Grace” that just simmers with excellence, Jenny Simmons’ poignant vocals shining over pristine strings. Paul Colman’s quirky take on “What Matters Most” will knock you out with its throbbing beats and straight-ahead wisdom. Phil Keaggy adds his nimble genius to “Getting Used to the Darkness,” and then his niece-in-law Cheri Keaggy offers up a surprisingly gritty bluesy take on the title track. Also noteworthy: “The Robe,” by Luminous, and Derek Webb’s textured alt-rock rendition of King classic, “I Believe.”
The artful Disc Two may contain more unfamiliar names than the first, with female artists making quite a showing. Paul Colman again plays a central role, with the howling, bluesy rocker “Holy Ghost,” at seven minutes a veritable feast of thick rock guitar jamming free-style. It’s followed by the equally stirring “Holy,” covered by the deceptively fiery Sarah Adams. There’s a series of female-fronted tracks mid-disc that move nicely through deep worship and ambient arrangements before coming up on the earthy “That’s Love.” Miranda Dodson takes things to an organic level with this raw and rich alt-rocker. Dan Meyers closes this outstanding project with the quiet acoustic “Remember,” but “Life is Precious” will stay with you for a long time. And for all the right reasons.
The Wes King website indicates that he is still at home recovering from his treatment. I bet he’s listening to “Life is Precious,” a big smile on his face.
