Martha Munizzi: No Limits Live

Review

© Kevan Breitinger

Nov 22, 2006
Martha Munizzi: No Limits Live, Christian gospel music
Martha Munizzi garnered major attention with her 2003 indie debut, "The Best is Yet to Come," followed by her stunning New Best Artist Stellar Award, still as an indie.

With the backing and support of major players like Israel Houghton, Aaron Lindsey and Integrity Music, Munizzi brings the 2-disc set “No Limits Live” out to great expectations. Recorded live at Bethany World Prayer Center in Baton Rouge under the watchful eye of producer Noel Hall (formerly Fred Hammond’s music director), “No Limits Live” has every reason to succeed. I wish it were that simple.

The problem does not lie with Munizzi’s vocal powers or her charm, for the lady can tear it up when she wants to (the electrified rock of closer “Chosen Generation”), burn up the atmosphere with a ballad (the worshipful and soothing “Renew Me,” as well as the passionate and free-flowing “Forever You’re My King,” enhanced by a simmering B3), and holla with guest artists like Byron “Talkbox” Chambers on the wonderfully lilting “Jesus is the Best Thing.” She is, throughout all 100-plus minutes, in complete control of the room, the band, and I’m guessing the state of Louisiana. She is ministry-driven always, preaching and exhorting, even giving prophetic words of encouragement with ease. She moves seamlessly between high energy anthems and quiet ballads.

But for my money, “No Limits” would have been a more valuable project with, well, a few limits. Between the reprises and the intros, there’s an awful lot of repetition, and the energy level is allowed to drag at a few points, and too many tracks follow the same pattern of quiet beginnings building to dramatic big finishes. It grieves me to have to criticize the work of such a sincere and talented artist, especially when “No Limits Live” offers also tracks like the calypso-tinged “Name Above All Names,” a soulful groove that lifts up the Name while calling out the crowd to love Him more. And the driving dance track “You’ve Been So Good” sizzles with exuberance while showcasing her true vocal prowess. But sometimes, and even sometimes especially with a project this good, less is more. This album, if tightened up, has all the makings of a sizzling one disc gospel project. Martha Munizzi is capable of great things, both musically and ministry-wise, and I’m confident her next work will prove that easily.


The copyright of the article Martha Munizzi: No Limits Live in Christian Music is owned by Kevan Breitinger. Permission to republish Martha Munizzi: No Limits Live in print or online must be granted by the author in writing.




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